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The real epiphany struck me during dinner Friday night. It was a small group and we ate in stages. No one waited for anyone else to be served. No one waited for a hostess to lift her fork. My English grandmother's formality was far away. When we all stood up, I had a new understanding of where I was. The unpretentiousness of Fowl Cay defines it. It's okay
to put your feet
on the furniture and your elbows on the table, to leave behind your
mascara and pearls, to live here simply and as unadorned as the island
itself. It's not for travelers wanting to add more badges to their lapels.
Fowl Cay
guests have earned enough badges. The houses are not architectural
monuments rising tall with granite and marble. They rest organically
on the rock and sand, never aspiring to outshine nature. The local staff
are not showboats, no superclub bartenders calling the ladies "darling"
and the men by their first names. Fowl Cay is not a flashy disco scene.
It's a magnet for those who would rather be on the water instead of on
line, those
who want to hold a board meeting on a sand dune and trade their Bally shoes
for
bare feet for a week or more. It's a modest, unostentatious place with
simply the best of everything. A place where the big sky, clean air and
most of all the water are it.
No home is so crass as to compete with another for interior design points.
The most appropriate and appealing qualities of its homes are exquisite
subtle service and extraordinary comfort in an understated design. Sure,
the sheets may be Frette but they'll
never be found under silk bedspreads or over tiers of dust skirts with
matching drapes. The classiest color in town just may be white. Linda Smith at Fowl Cay, July 2007 WHO IS THE FOWL CAY CLIENT? He is rich. Copyright Villas by Linda Smith 2008
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